The initial impact of singer Bette Midler as a performer and actress is undoubtably sensational in the opening sequences of The Rose. It must be added that, at well over two hours of film, you may find Ms Midler at full throttle in this kind of drama a trifle wearing, as with the film, a powerful no-holds-barred portrait of a rock star of the Sixties (supposedly modelled on Janis Joplin). She's on the run from drink and drugs and vainly seeking either stability in her life or respite from the constant strain. Little concession is made to the period, particularly in the star's frothy hairdo, yet the film remains an unforgettable if draining experience, thanks to its supercharged star, who was nominated for an Oscar.


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