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The Ladykillers - 2004 Submit your own review for this movie View the photo gallery for this feature

The Ladykillers

The Coen Brothers craft a fine little caper movie based on a classic Ealing comedy. Tom Hanks takes over the professor role that Alec Guinness played in the 1955 movie and the location switches from smoggy London to sultry Mississippi. It's normally sacrilege to even attempt to update something as revered as the original...but this makes a fair crack at it. You might be suprised.

Movie rating: 3 star rating.  - good.
* - Watchable
** - Average
*** - Good
**** - Very Good
***** - Unmissable
Rated by TV Times.   Total Film
Stars: Tom Hanks, Irma P Hall, Marlon Wayans, JK Simmons
Directors: Joel Coen, Ethan Coen
Year: 2004
Running time: 104 mins
Certificate: 15
 
 

Tom Hanks takes over the professor role that Guinness played in the original 1955 movie and the location switches from smoggy London to Mississippi.

Eccentric music professor-cum-criminal mastermind, Professor Goldthwait Higginson Dorr wants to rob the land based vault of a New Orleans riverboat casino by tunneling into it.

So he and the four other members of his little 'ro-co-co' quintet rent the cellar from Hanks' little old landlady, Mrs Munson (Hall) - and, of course, whilst she thinks they are rehearsing, they are, in fact, digging.

But, when the gang are forced to remove Mrs M from the equation, they can't see that what they're really dealing with is a good old fashioned, paid up, God-fearing, watched-over force of nature.

Like Alec Guinness in the original, Hanks (who claims he's never seen the predecessing film) has a whole host of mannerisms which you'll either love or loathe.

Irma P Hall does a wonderful job of bringing Mrs Munson to life - with her hatred of smoking and that "hippedy hop music that uses the N word".

With the exception of Marlon Wayans, the rest of the gang are a better-than-average bunch of cookie-cutter crooks - but, hey, this is a Coen Brothers movie, so it's the fabulous attention to detail that stops it coming in as an also-ran.

What details? The music (again, they've used the brilliant T Bone Burnett to take care of the excellent soundtrack), the cat, the dog and the big 'ol Mississippi itself.

A lot of movie reviewers - both here and in the US - seem to have a problem with this film.

Maybe the Coens should have just called it something else and referenced the original in the credits. But, then again, maybe reviewers should just get over it and pray to the good Lord that all classic movies get remade this well.

This is a cracking little caper movie - Greg Dean Schmitz over at Yahoo Movies calls it "a cross between Ocean's Eleven and Small Time Crooks" and, you know, I can't think of a better way of putting it.

Go see it.

Mike Taylor

Click to review this film

 
 

User reviews

Xavier Jones-Barlow
This user has rated this film 3 stars - good.
* - Watchable
** - Average
*** - Good
**** - Very Good
***** - Unmissable
 
The original is better. Tom Hanks does an impressive job but I'm afraid he does not touch Sir Alec Guiness. I will concede that this film definately deserves multiple viewings. Who knows it may even grow on me as well.
 
Anas Al-Rahho
This user has rated this film 4 stars - very good.
* - Watchable
** - Average
*** - Good
**** - Very Good
***** - Unmissable
 
With most of today's successful comedies centering around Will Ferrell/Jon Heder/Ben Stiller type films, Ladykillers is a completeley fresh approach. I definitely enjoyed Anchorman/Napoleon Dynamite/Starsky and Hutch, and I enjoyed this film too. Many have slated this film, and I don't see why. The jokes are always varied - some clever, some slapstick, some witty. You won't do this film any justice by watching it once, loads of clever jokes means there's always something to come back to.
 
Elliot Noble
This user has rated this film 3 stars - good.
* - Watchable
** - Average
*** - Good
**** - Very Good
***** - Unmissable
 
An enjoyable lark, but while the playfulness is catching and Tom Hanks is a delight, the build-up is staccato, the denouement feels rushed and the dialogue is hit-and-miss. There are also precious few moments of originality, eg the body-part stealing animal: lifted from Wild At Heart. And in a place where genteel mischief rules, Marlon Wayans' character is a huge misjudgement. Don't get sloppy on us, Joel & Ethan, we'll watch anything you care to make - with 'care' being the operative word.
 
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