Dudley Moore's sick in love with a girl. So no change there, then? A predictable premise is given predictable development in a script largely devoid of funny lines. Dud tries hard, and Elizabeth McGovern is appealing, but a series of esteemed performers all give embarrassing turns - even Alec Guinness as Sigmund Freud, John Huston and Alan King as docs, plus Renée Taylor and Gene Saks as patients. If these people can't be funny, then it's got to be Marshall Brickman's fault either as writer or director - or most probably both. A dud, all right.

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