Christopher Reeve and Jaclyn Smith look suitably distressed throughout this insipid story of hidden identity and obsessive love. They can't have read the script before they agreed to star, or maybe they were promised rewrites that didn't materialise. What we get, at the end of the day, is a 90-minute film with only enough plot to sustain a 30-minute drama. Smith is Megan Lambert, a seemingly happily married schoolteacher with a six-year-old boy. While on a visit to San Francisco, the couple are approached by a man (Reeve) who claims that Megan is in fact his wife who was believed to have died in the 1985 Mexico earthquake with their son. The man won't take no for an answer and... well, you can write the so-called script yourself from then on. Uninspired, formula TV thrills.

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