Philip Barry's plays (and Donald Ogden Stewart's adaptations of them) had made successful films twice before for Katharine Hepburn (in Holiday and The Philadelphia Story) so, especially selecting Spencer Tracy as her leading man, she was obviously on to another winner here in a comedy about a `platonic' marriage. The stars, though, have scenes stolen from under their noses by Lucille Ball and Keenan Wynn. But Tracy, too, has his comic moments, especially in the scenes where he walks in his sleep and encounters a dog that has been trained to stop him.


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