Another in the new wave of 'social conscience' dramas pioneered by American television. Co-producer Gary DeVore contributes a perceptive and cutting script that does a good job of isolating the issues concerned when a steel mill shuts down and throws hundreds of men out of work. Peter Strauss, as the steelworker who turns to drink after finding himself without work, does a fine job of acting that will surprise those who only consider him a a bland leading man. And Pamela Reed, who is outstanding in Arnold Schwarzenegger's new film Kindergarten Cop as his feisty partner, contributes a totally different (but just as effective) performance here as the beleaguered wife upon whom Strauss vents his frustration and despair. There's an inspiring ending to look forward to and a good role for veteran character player John Doucette. The telefilm's art director, Bo Welch, has risen rapidly to the top of his profession since Heart of Steel was made eight years ago, and is likely to be nominated for an Academy Award for his brilliant and imaginative artwork on the upcoming futuristic fantasy Edward Scissorhands, a complete contrast to his work here in depressed - but never depressing - surroundings.

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